Zen and the art of archery
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'Here is a man who transforms a blank sheet of paper into all
space, an inkwell into all the waves in the ocean, the tip of a
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— Hoyen Gosozan (died 1104),
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WHEN the demonstration of the art of archery by a Japanese master was announced as an event that the Museum Rietberg was organising in the Noble Park within which it is located, conversation turned somewhat naturally to that classic work, Zen in the Art of Archery. I had heard of it, but everyone around seemed to have read it. Even though I was not to stay long enough in Zurich to be able to witness the event, my curiosity was greatly aroused. A German copy of the book, the language in which Eugen Herrigel, a German professor, originally wrote it some 60 years ago, was not difficult to procure, and I started poring over it, but without being able to shake off the uneasy feeling that the exact import of some of the terse thoughts it contained, some technical terms, was escaping me. But then a friend located an English translation for me, and things became much simpler. It is a slim volume, making for exciting reading, but challenging at the same time in its own manner, brushing now against meditative practice, now engaging with the struggles that we wage in our daily lives.